eduardosantosEduardo Santos is recording engineer and producer.

In addition to his activities in several audio fields, such as CDs, DVDs, movies and TV series, Eduardo creates and develops special projects that focus on sound and technology.

His years of experience have earned him several awards and in 2009 he received the 51st American Grammy in the category “Best Contemporary Jazz Album” with the American trumpeter Randy Brecker. He is one of the few Brazilian professionals graced with this award.

He has a degree in electronics and began his career in one of the most prestigious Brazilian recording studios – Vice Versa Studios – as a recording assistant. Before long he became an engineer and then studio manager. In addition to his activities in the various audio areas, he creates and develops special projects that focus on sound and technology. He does consulting and develops projects for studios, always trying to find the best solution to the difficulties encountered along the way.

His years of experience have earned him several awards and in 2009 he received the 51st American Grammy in the category Best Contemporary Jazz Album with American trumpeter Randy Brecker. He is one of the few Brazilian professionals graced with this award. The most important was the fact that this project had been fully developed in the Banda Sonora’s studios, owned in partnership with Ruriá Duprat, from the choice of the artist’s repertoire, regimentation, arrangements and recording to mixing and mastering.

In the studio he recorded and mixed works for Sepultura (Morbid Visions), Raul Seixas & Marcelo Nova (A Panela do Diabo), Jota Quest, Belchior (Retrato Falado Duplo), Benjor (Jorge Ben Jor & King Sane Ade & Band), Arrigo Barnabas (Suspeito) , Inocentes (Inocentes) , Os Mulheres Negras (Mulheres Negras), Não São Paulo I, II (Various), 365 (Em São Paulo), Aquira S and As Garoras Que Erram, Patife Band (Patife Band) Marco Bosco (Metalmadeira, Hánerea, Tokyo Diary), Música do Brasil Colonial-André da Silva Gomes (1752-1844), Brasilessência Grupo Coral & Orquestra, Cristina Azuma (São Jorge), Nouvelle Cuisine, (Slow Food, Nouvelle Cuisine), Que Fim levou o Robin, Jane Duboc (Partituras ), Sá & Guarabyra (Estrela Natureza ), Super Colosso The Movie (Various), O Grilo Feliz (Movie), Paixão Perdida (Movie), Banda Mantiqueira (Mantiqueira), Sound Escape (Maybe September), Pelé (Ginga), and Assíria Nascimento, among others.

Recording with International Artists

Randy Brecker, Michael Brecker, Ron Carter, Dannis Chambers, Mike Stern, Nina Simone, Courtney Pine and Paul Horn, among others. The vast majority of this work was performed for major international recording labels such as WEA, BMG- Ariola, CBS, Sony Music and Emi-Odeon, among others.

Furthermore, throughout his career Eduardo has expanded his areas of operation, recording numerous live shows such as:

Pena Branca e Xavantinho & Renato Teixeira (Live in Tatuí), Itamar Assumpção, Musica Ligeira (Musica Ligeira), Show Vexame (BandaVexame), 4 Regional Music Festivals in Avaré, Projeto Música em São Paulo (Arrigo Barnabé, Guilherme Arantes, Rosa Maria, André Cristovam, Ná Ozetti and others), Grupo Rumo (Rumo ao Vivo), Claude Debussy Preludes for the Rogério Duprat Orchestra, among others.
He also recorded and mixed for live transmission on TV and post mixing for national artists:
Titãs no Olympia (Titãs), Jorge Benjor, Gilberto Gil, Paralamas do Sucesso, Skank, Cidade Negra, as well as international artists such as : Sepultura (Arise Live), The Real Thing in Brasil (Faith No More), I Coke Reggae Festival (The Waillers, Ziggy Marley, Black Ururu, Andrew Tosh, Yello, ASWAD, SunSplash Festival (Olodum, Maxxie Priest).

Additionally, he held a series of concert tours as PA Engineer and Team Leader:
Milton Nascimento & Orchestra, Raul Seixas, Sá & Guarabyra, Belchior, 
Almir Satter, Guilherme Arantes, Leila Pinheiro (Solo & Orquestra), Fábio Jr., Zizzi Possi (Per Amore), Arrigo Barnabé, (Suspeito), Inocentes, Roberta Miranda, Grupo D’Alma, Acarú, Nouvelle Cuisine, Margareth Menezes, Virginia Rosa, Raul de Souza, Chris Montez, Aguas Claras Festival (II, III, Reencontro), 1st Dance Music Festival (Snap, Mr. Be, Inner City), Akira S and Arto Lindsay, Ponte Entre Povos (Marlui Miranda), among others.
Eduardo also has extensive experience in TV and Cinema. He produced, recorded and mixed more than 1000 advertising phonograms and recorded and mixed several songs for feature films such as:
O Beijo, Super Colosso – O Filme, Paixão Perdida, O Grilo Feliz I, O Grilo Feliz II, Corpos Celestes, Naquela Época e Hoje and O Duelo, among others.
He has also worked as Sound, Post Production, Sound Design and Mixing Director for Feature Films and TV series such as: O Grilo Feliz II, O Astro, A Turma da Mónica Clássica, Turma da Mônica Jovem, Costanza & Marilu.

Recording, Post Production and Sound Mixing Design for Short Films and Documentaries:

Borowvski, Olimpicus, Rádio Bixiga PRKDeia, Dejauner D’u Matin, Viver a Vida, Abrólhos, O 1o ano do Resto de Nossas Vidas, Sempre No Meu Coração and O Ateliê de Luzía, among others.